At first, as he takes the stage, the dancer's movements are studied and careful, as if he were seeking out foes in an unfamiliar place. When he reaches the middle of the stage, hesitation gives way to self-assurance. He rises on his toes to his full stature, his body motionless with quivering limbs, he whirls on one leg, his feet tread the ground to the tumult of the gamelan, and his face renders the storm of passions of a quick-tempered warrior.
There are two main types of Baris dance. The non-ritual dance, explained earlier, is the one performed by a solo dancer. However, there are over thirty different types of ritual baris dances, each of which is performed by a group of people, still imitating the movements of the warrior.